Livin’ in Synth

Synth Symphony #2 by Joe Wiedemann (Orchestronics) It’s not often you find a new symphony out there. Much less, one that’s for a totally different kind of orchestra. This one is definitely different. No, it’s not written by some dead guy.No, it’s not a starchy attempt to be taken seriously, nor is it some unlistenableContinue reading “Livin’ in Synth”

Composing “Rain” Step-by-Step

Often, when I finish a long piece, someone will ask “How long did it take to write?” or “How many hours did you put into it?” To be honest, I’d never really chronicled the process before. Also, as a composer, I’ve spent hours searching in vain for other composers’ thoughts on how to create aContinue reading “Composing “Rain” Step-by-Step”

Classical Music’s Need for Speed

Is faster really better? Classical music performances are expected to be meticulous, impeccable and proficiently accurate. Artists hope to be called a “virtuso.”  All the thousands of notes must be delivered spot-on. So what then, distinguishes one soloist or ensemble from another performing the same timeless piece? Interpretation is what it’s called, but what are the boundaries of interpretation inContinue reading “Classical Music’s Need for Speed”

Do You Like the Lights On or Off?

Do You Want the Lights On, or Off? … when listening to classical music? Do you like to close your eyes, or watch what’s going on? There are, of course, pros and cons to both. Lights On: Watching a great performance can be like the olympics. Musicians don’t just sit or stand there. It’s aContinue reading “Do You Like the Lights On or Off?”